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Paint Filters: Crenlo Saves Nearly $100,000 by Reducing Paint Filter Waste and Water

Systems for liquid spray painting booths are designed to safely capture paint overspray, exhaust solvent vapor and replace the exhausted air with clean make-up air. Paint that does not adhere to the parts being painted is captured as overspray by spray booth paint filters, also called paint arrestors.

The industry standard is disposable dry filters, pads or rolls of multi-layered disposable paper and polyester filters. Alternative dry filter media include reusable fiberglass, metal filters or Styrofoam. Wet or water-wall paint booths use water with chemical additives to collect paint overspray.

Base decisions about paint arrestors on the type and volume of painting done and the waste generated by the booth itself. Dry filter booths have a lower purchase cost and generally meet the needs of small- to medium-volume painting operations. If overall painting volume can justify the investment, a wet booth may work well with high production levels.

Dry Paint Filters
Dry filters are either baffle or strainer type filters, or a combination.

Baffles Strainers
Less expensive
Lower capture efficiency
Greater potential for blow-by, particle emissions
Last longer
More expensive
Higher capture efficiency
Lower potential for particle emissions
Tend to clog, shorter life

Filters must be changed out when they become clogged with paint and when air flow is restricted. Layering two paint filters can extend their useful life. The top one acts as a pre-filter, becoming loaded with overspray sooner than the bottom/exhaust side filter. Layering can be done with two filters of either the same or different capture efficiencies.

  • Same efficiency. When the top filter becomes loaded, discard it. The bottom filter replaces the top one and a new filter is added below.
  • Different efficiency. A less expensive filter on top captures coarse particles. A more expensive bottom filter captures the finer particles. The top filter is changed out more frequently than the bottom.

Experimenting will help determine when to replace filters. Throughput and transfer efficiency affect changeout frequency. Operators may have hunches based on how overspray hangs or moves through a booth and based on visual inspection of the filters. Confirm hunches by weighing the filters to determine the paint load. With actual data, you will be able to set the most efficient changeout schedule and correct problems.

Paint filters in a spray booth may receive different loading.

  • Spraying is often concentrated close to where parts enter the booth. Filters nearest that area may become clogged sooner than others near where parts exit the booth.
  • The area where the air flow is greatest will plug sooner. Paint will then be pulled to other areas of the filter with less resistance.
  • Painting is too close to the filters. This increases the pull of the air flow on the paint, lowering transfer efficiency. Filters closest to the air flow clog sooner.
  • Gravity pulls paint down, causing the lower filters in a side-draft booth to plug sooner than higher ones.

Variable Frequency Drives
Fluctuations in air pressure and air flow can affect painting efficiency and operator safety. Paint rooms need to have a slightly positive pressure to keep dirt and other contaminants from entering. In some cases, a slightly negative pressure within the booth is desirable to keep vapors from exiting.

Paint filters need to fit tightly. Gaps between the filter and the edge of the spray booth create a path of least resistance, allowing overspray to escape up the exhaust stack. As paint filters become plugged, keeping a constant air flow in the booth becomes difficult, as the pressure drop across the filter increases. Air pressure in the booth is also reduced as parts enter and exit.

A variable frequency drive (VFD) system can compensate for the loss of air pressure by automatically adjusting the fan’s motor speed. VFDs use less electricity than other methods of air flow control, like outlet damper controls, because they decrease the draw on the motor.

Waste Disposal
Filter waste can be disposed of as solid waste if it has been tested. If a company is spraying paint that contains heavy metals such as chrome or lead, the filters may have to be disposed of as hazardous waste. One disadvantage to using a dry filter booth is waste disposal. Often the majority of waste is the filter media itself, contaminated by a relatively small amount of paint. Reusable filters may decrease waste volume and reduce disposal cost. In some applications, overspray can be collected for reuse.

A wet booth eliminates the need for disposal of filter media and reduces waste in weight and volume. The water is chemically treated to remove the paint’s stickiness. The paint is then separated from the water by a centrifuge, cyclone or filter, and dried for disposal. This process can be automated, eliminating paint-line down time needed to change out filters.

Crenlo LLC Case Study
Crenlo LLC, in Rochester, fabricates sheet metal products, including cabs for the agricultural and construction industries and enclosures for the electronics industry. The company has over 700 employees. It operates sixteen paint booths. Parts are coated manually using either high-volume low-pressure (HVLP) or electrostatic spray guns. Dry filters capture paint overspray.

Crenlo was changing its paint filters daily because painters complained about overspray and poor airflow. Paint was “hanging” in the booth. Test panels located on the top of the exhaust stacks showed paint, possibly indicating low paint-capturing efficiency for the filters. And, the back layer of the filters were discolored by paint.

Filters were costing about $1,000 daily, exceeding the amount budgeted. Excessive maintenance time was required for filter changeout. Crenlo requested a MnTAP intern to help investigate and reduce its paint filter waste and to decrease its wastewater volume.

The company had started patching metal panels that allowed air leaks and moved the paint filter grids back to improve air flow.

Filter Experiments
The intern tested different types of paint arrestors. None of them performed better than the two different layered grades of high-efficiency/high-capacity dry filters that Crenlo was currently using.

The intern also experimented with the frequency of filter changeout and measured actual paint load. Depending on the paint line, he was able to extend the use of the top filters to three or five days without measurable change in efficiency. The bottom filters could last several days.

Water Booths
Crenlo had converted two water curtain booths to dry filter booths in order to improve overspray capture efficiency. Initially dry filters were used as pre-filters to catch the solids in front of the water curtains. When the company discovered that the water was not providing extra filtering value it converted the booths exclusively to dry filters. Water use was reduced by 354,000 gallons per year and $4,000 in water, sewer, chemical costs and labor were saved.

Savings
Based on production levels at the time of the intern project, modifying the paint filter changeout schedule saved Crenlo $95,600 a year. Filter purchase cost was reduced by $88,200 and waste disposal was reduced by 21 tons a year, saving $7,400. Over 1,500 hours a year of maintenance labor was no longer needed to change out filters and could be directed to other tasks.

For More Information
MnTAP has a variety of technical assistance services available to help Minnesota businesses implement industry-tailored solutions that maximize resource efficiency, prevent pollution, increase energy efficiency, and reduce costs.Our information resources are available online. Or, call MnTAP at 612.624.1300 or 800.247.0015 from greater Minnesota for personal assistance.

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(11/04)

 



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